cassetadas na agua
Vídeo: Nossa cada cassetada uma pior que a outra, alguma engraçadas
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anonimo 1 meses atrás Central Authentication Service (CAS)CAS is UnavailableThere was an error trying to cmetlope your request. Please notify your support desk or try again.Copyright a9 2005 - 2010 Jasig, Inc. All rights reserved.Powered by Jasig Central Authentication Service 3.4.8Jasig logo denuncie o comentario
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anonimo 1 meses atrás Central Authentication Service (CAS)CAS is UnavailableThere was an error trying to cmetlope your request. Please notify your support desk or try again.Copyright a9 2005 - 2010 Jasig, Inc. All rights reserved.Powered by Jasig Central Authentication Service 3.4.8Jasig logo denuncie o comentario
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anonimo 1 meses atrás Central Authentication Service (CAS)CAS is UnavailableThere was an error trying to cmetlope your request. Please notify your support desk or try again.Copyright a9 2005 - 2010 Jasig, Inc. All rights reserved.Powered by Jasig Central Authentication Service 3.4.8Jasig logo denuncie o comentario
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anonimo 1 meses atrás Been using my ATR-55 for over a year. Really like the amplified TELE feurate that seems to reach out and grab sounds, without picking up hardly any surrounding noise. But hey, its uni-directional, so thats one of the things its supposed to do. Nevertheless, the NORMAL zone is about a 120degree V in front of the mic, and the TELE is about a 90degree V-zone. Was videotaping our schools football game, and filmed one half in TELE mode, and the second half in NORMAL mode. The TELE mode was almost eerie, because you could pick up the voices out on the field, but all the surrounding noise (fans) could hardly be heard. The NORMAL mode picked up a little more audience noise, so it sounded more natural, but nevertheless still filtered out the other people talking in the press tower with me. The TELE mode is very nice for lectures, so that it doesnt pick up distracting noises, including that of the camcorders mechanism thats why I go this in the first place, because the OMNI-directional microphone in the digital camcorder was picking up too much noise (including its own motor) during really quiet lectures. Just be aware that this unit is _not_ stereo you should either get a mono-to-stereo adapter to use with it, or set the sound input on the camcorder to mono. Otherwise, youll just get sound coming out of one speaker on stereo play-back. If you need stereo, get the ATR-25, which is very nice and also uni-directional, but lacks the ATR-55 s TELE feurate. Basically, TELE was more important to me than stereo, but it might be different for you. I wear headphones plugged into the camcorder while filming, this way I can better monitor the sound pickup, and make a determination between whether TELE or NORMAL is best for any given situation the difference is noticeable. I gave it four stars because it is very good, but Im sure units like a nice Sennheiser are better, but for much more money. This is a nice looking, solidly built unit, and a decent value to boot. UPDATE (03.07.2010): Be aware that the ATR-55 requires the use of one AA battery that is installed inside its aluminum shell. denuncie o comentario
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anonimo 1 meses atrás Been using my ATR-55 for over a year. Really like the amplified TELE feurate that seems to reach out and grab sounds, without picking up hardly any surrounding noise. But hey, its uni-directional, so thats one of the things its supposed to do. Nevertheless, the NORMAL zone is about a 120degree V in front of the mic, and the TELE is about a 90degree V-zone. Was videotaping our schools football game, and filmed one half in TELE mode, and the second half in NORMAL mode. The TELE mode was almost eerie, because you could pick up the voices out on the field, but all the surrounding noise (fans) could hardly be heard. The NORMAL mode picked up a little more audience noise, so it sounded more natural, but nevertheless still filtered out the other people talking in the press tower with me. The TELE mode is very nice for lectures, so that it doesnt pick up distracting noises, including that of the camcorders mechanism thats why I go this in the first place, because the OMNI-directional microphone in the digital camcorder was picking up too much noise (including its own motor) during really quiet lectures. Just be aware that this unit is _not_ stereo you should either get a mono-to-stereo adapter to use with it, or set the sound input on the camcorder to mono. Otherwise, youll just get sound coming out of one speaker on stereo play-back. If you need stereo, get the ATR-25, which is very nice and also uni-directional, but lacks the ATR-55 s TELE feurate. Basically, TELE was more important to me than stereo, but it might be different for you. I wear headphones plugged into the camcorder while filming, this way I can better monitor the sound pickup, and make a determination between whether TELE or NORMAL is best for any given situation the difference is noticeable. I gave it four stars because it is very good, but Im sure units like a nice Sennheiser are better, but for much more money. This is a nice looking, solidly built unit, and a decent value to boot. UPDATE (03.07.2010): Be aware that the ATR-55 requires the use of one AA battery that is installed inside its aluminum shell. denuncie o comentario
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